Sunday, 22 December 2013

Scale II - The Finals





 The piece above was inspired by the Black Death, I have used a map typical of the 1300's for the basic shape, and rimmed it with gold/yellow embroidery thread. Using acrylic to create the textured surface resembling the bulbous symptoms of the plague, then adding knotted red thread for scabs and salt for a festering appearance.


Titled 'Black Wave', this piece is acrylic on linen - hand painted. A resonating image for me was the black wave of water that followed the tsunami in Japan, I thought of the loss of life that was caused by this singular event and developed this design.


Raindrops and Rooftops - Hurricane Katrina overhead view of the houses affected by the flood

Tuesday, 17 December 2013

Glass Fusing - An art yet to be mastered

My flimsy attempt at glass fusing
As part of our Transformation brief we were given a class on glass fusing, that proved to be less than succesful in my case. The prinicpals of glass are simple or so it seemed. The cutting tool has a small blade sometimes with a oil cartridge included, topped off with a rounded metal sphere on the end. To cut the glass you must hold the blade completely vertical above the glass and move in continuous straight line. Then using the ball, tap the underside of the glass, your cut acts as a breaking point and as you are tapping underneath the glass will start to shard. Once you arrange your glass in the way you like it is ready to go into the kiln. Just a general warning - DO NOT try this at home in your oven, I don't speak from experience, but I speak as a person who has the common sense not to try. The reason I say this is because glass can explode if cooled too quickly.

It seemed that in my first attempt at glass fusing I was just not able to tell the glass what to do. I think it may have had something to do with my abundant lack of straight lines. My advice, use a ruler.

Sunday, 15 December 2013

Scale

Following on from the fruit brief, we went on to our next topic - scale. It could be any sort of scale from the scales of justice to reptile scales, even to the Richter scale. I must admit that when I first heard the word scale, it brought a huge wave of panic, my first thought was of strong swear word.This however, was soon replaced by my second more rational thought 'How on Earth I am going to make something out of this!?' Yet, as it was explained to me, the ideas that arose from the panicked state of my mind started to put me at ease. There was the opportunity to create sculptures, spatial designs, costume design from the right topic. It was choosing said topic that was the problem. 

I am not in the habit of picking the most obvious choice - sometimes it's unintentional other times it's deliberate - so it was very difficult for me to find a subject matter that not only interested me, but inspired me. I do apologise for sounding like a broken record but I am a designer, namely a costume designer, trying to find a subject to match my expertise was impossible. Therefore, I settled with the next best thing, textiles - now only the topic remained. What was complex enough for me to look at and easy enough to understand in the restricted time? 

It struck me after watching a documentary of the Japanese Tohoku tsunami in 2011, and the word which had been plaguing my mind for days was attached to the event. The scale of disaster. For a time it was staring me in the face, we are often faced with these images from a day to day basis, but without ever really paying attention to them. So I endeavoured to create a variety of textile pieces based on the events that have caused the most cataclysmic effect on the world. 

Below are a list of the cheery topics:
  • The Black Death (1348- 1350) - 1/3 of the world's population was wiped out by this plague
  •  Hurricane Katrina (2005) -  One of the most expensive and deadliest hurricanes to hit the coast of America costing more than $81 billion.
  • The Indian Floods (2013) - The heaviest monsoon experienced in over 80 years.
  • Tohoku Tsunami Japan (2011) - The most powerful known earthquake to hit Japan
My time was limited so consequently my topics had to be too. 

Wednesday, 11 December 2013

BRAIN






Many layers of brain! As part of my transformation brief I decided to look into the structure of the brain as that is where all dreams are concotted from - shocker. These were made using the clay wall effect with plaster.

Sunday, 8 December 2013

Negative and Postive Finals


 

 
Here are some of my final pieces from the Negative/Positive Space Brief, each piece was made using monochrome pastels on cartridge paper. I was told to select areas from each preliminary sketch and incorporate them in a more abstract composition. Being entirely unnatural for me to create abstract drawings, I found the progressions of these works to be quite liberating. Who knew?

Sunday, 1 December 2013

Fruit III - I am the Creator



After researching the world of fruit, I started to develop my own ideas. To begin with I needed to consider the environments that each fruit might be found to grow in. The brief had opened the concept to any conceivable idea, provided that you gave reason behind your choice. New dimensions were able to come into creation, uninhabitable environments became liveable, even new countries could be made to suit that story of the fruit. Considering my options, I decided that to design an entire world for the sake of a fruit seemed slightly farcical, as I would be much rather spending my time designing the fruit itself. It struck me that a fruit from a familiar habitat within Earth’s eco-system was an easier concept to grasp rather than warping reality.

Er’ za

My first idea was the Er’ za – the name for which, I came up on a whim, so please don’t judge. This fruit was to be found growing in the Volcanoes of Hawaii and along the West Coast of America. To come up with the basic design I researched the make-up of the plant – basic botany 101- such cycles as respiration, transpiration, and guard cell functions to figure out how the plant was to actually have any chance of survival.
The Er’za in my mind was scorched black by the heat of the volcano, but still remained to a show red vine structure around the casing of the fruit. A basic five petal structure that protected the precious fruit in the centre, it therefore needed to have a thick heat resistant casing that was able to withstand the temperature of such a hostile environment. The outer skin of this casing had microscopic hairs that were responsible for catching the moisture in the air. The fruit of the Er’za grew as one singular fruitlet in the centre of the petal structure; it resembled the shape of a garlic, only with a fuller body. The skin of the fruit would be jet black, but with a rich burgundy red once cut into. Seeds would be scattered throughout the flesh similar to that of a figs’. Within the fruit’s final stages of life it will begin to swell until eventually exploding, scattering the seeds across the volcanoes cliff face.
As the basic structure of the fruit was finally developed I started to look into possibly functions of the fruit – what was it going to be used for? I was drawn to the idea of it being used for tribal initiation, which I later linked to Native Americans. Young warriors are giving the task of acquiring the fruit of the Er’za by scaling the mountainside, to then return to the shaman. The shaman would then brew the Er’za into something resembling a tea. The warriors would drink the brew and undergo powerful hallucinations that brought about the most frightening images that the human mind can conceive. This would not only leave them paralysed for up to a week but would also cause muscle cramps, incontinence, vomiting and in some cases death.  Once the warrior have awoken from their ordeal, they would no longer fear their enemies as they had already stood before the gates of madness.